Khrux

I do agree entirely. If I could use the internet of 2015 I would, but I can’t do so in a practical way that isn’t much more tedious than asking an LLM.

My options are the least rancid butter of the rancid butter restaurants or I churn my own. I’d love to churn my own and daydream of it, but I am busy, and can barely manage to die on every other hill I’ve chosen.

Compared to crypto and NFTs, there is at least something in this mix, not that I could identify it.

I’ve become increasingly comfortable with LLM usage, to the point that myself from last year would hate me. Compared to projects I used to do with where I’d be deep into Google Reddit and Wikipedia, ChatGPT gives me pretty good answers much more quickly, and far more tailored to my needs.

I’m getting into home labs, and currently everything I have runs on ass old laptops and phones, but I do daydream if the day where I can run an ethically and sustainably trained, LLM myself that compares to current GPT-5 because as much as I hate to say it, it’s really useful to my life to have a sometimes incorrect but overalls knowledgeable voice that’s perpetually ready to support me.

The irony is that I’ll never build a server that can run a local LLM due to the price hikes caused by the technology in the first place.

I heard a theory (that I don’t believe, but still) that Deepseek is only competitive to lock the USA into a false AI race.

As much as I don’t disagree, I think the “Apple is closest to Nazism” comment touches on something different. Other massive American companies have awful practices but they don’t care particularly how their way of making money looks. Apple wields a specific aesthetic power that generally dictates a hegemonic uniformity, that strays the line of being to their detriment at times. I don’t think any other big tech company would care in the same way if not for their desire to copy Apple.

I can’t picture a service which beats Spotify in what they offer which isn’t just the same business model but more ethical.

Discovering music for free is an enormous benefit, and the fact that Spotify has practically all mainstream music is nice. People often cite that one quote by Gabe Newell that is “Piracy is not an economic problem. It is a service problem”, as a highlight for steam, but largely Spotify offers what consumers want in a way Netflix or Audible can’t. They have everything you want and guide your discovery in even more, and as long as their encroaching enshittification doesn’t undercut this service, they will continue to underpay artists and fund immoral activities.

The developer of Ultrakill, Hakita, said something which I’ve often thought about. “You should support indies if you can, but culture shouldn’t exist only for those who can afford it. ULTRAKILL wouldn’t exist if I hadn’t had easy access to movies, music and games growing up. If you don’t have money, you can support via word of mouth”. There are plenty of independent things I financially support, particularly things I attend in person in the city I live in. I may spend £100 per month paying for art and entertainment all said and done, and when that’s spent, I will pirate everything else.

I split a Spotify family plan between 6 friends, I think that’s about £3.50 per month, and I pay for no other media services. With video, I run a jellyfin server with a “parent friendly” interface, so they can have “netflix with everything”, which I have at my place too. I don’t read that much any more, if it’s physical I just go to the library and if it’s an audiobook I’ll just pirate it. The benefit here is that even if I’m on a reading binge, that’s not even a book a week. With Spotify, I often pick something and play it via song radio, which is probably 50/50 music I know and new music. Sometimes I just stick albums on, but it’s not like that’s harder. If I had a locally hosted music repository that I’d “paid for”, I could enjoy albums, but not as easily have a radio like discovery experience.

One day, a pirate tool may appear that rivals Spotify, but until that day, I can’t see myself moving away from it.

Go to your local live music, drag shows, theatres, independent cinemas and libraries. Don’t feel obligated to pay for any internet service.

Thank god I display my status amongst my peers by rejecting mainstream status symbols. Yay for counterculture being part of the system!

I’m in the UK too and the gradual shift to WhatsApp has been a relief considering it used to be WhatsApp, Snapchat, messenger, Instagram, iMessage and twitter about ten years ago, not that anyone did all of them.

It’s a shame it’s meta but it’s so nice that it’s not a huge pile of useless features, just a few.

I don’t even understand the purpose. Who the hell cares what colour your texts are?

Blurry photos is fine to make an stylistic choice. The 2019 movie The Lighthouse stylistically looked like a 1920s film, before modern music intentionally used bitcrushing, it used vinyl cracks, boomer shooters made in this decade intentionally look like 1990s Doom clones.

When a medium’s shortcoming is patched by technology, it ultimately becomes an artifact of the era where it was accidental. Once a few years have passed, it becomes more synonymous with the era than the mistake.

It’s not necessarily nostalgia, Gen Alpha and the younger half of Gen Z never grew up without smartphones, so they don’t miss the era of poor film photography. Although every generation does this simulation of forgotten mistakes, it’s particularly poignant now, where the high quality, perfectly lit, professional feeling photos convey something artificial, i.e. smartphone software emulating camera hardware, faces tuned with filters or outright AI generated content. Even if it’s false imperfection, the alternative is false perfection.

Art using deliberate imperfections that were unavoidable in the past is romanticising something perceived as before commercialism, and that’s admirable.

I cannot believe character.ai was valued at over a billion.

^bubble

People disagree because it’s still an abstraction of camo. Wearing it in the first place came from people fawning over militarism.

I actually think it can work with a queer look in one of two ways, so you are likely fine: Either it’s effectively teasing the pro authoritarian militarism camo types, or it’s a radical anarchy armed rebel look, which without praxis is really just the former look again. Either way these are fine.

Another reason maybe you’ve been downvoted is that people loathe the deep abstraction of modern, or rather postmoderm society. Camo was made for soldiers > Camo was worn by patriotic civilians simulating the soldier aesthetic > particularly under the Bush administration, it became less a symbol of soldiers, and more a symbol of patriots. Patriotism is nationalism.

Today when most of us camo in the military cosplaying way, we think ‘nationalist’. When we see a person in a little bit of camo, perhaps just some came shorts and a regular t-shirt, we think either ‘nationalist’, ‘okay with nationalism’ or ‘ignorant of nationalism’.

So when most people see someone in a blended queer and camo look, they probably assume one of three things: ‘ignorant of nationalism’, ‘critical of nationalism in a rebellious manner’ or ‘pro nationalist queer’. Of course one of these is fine, but one is very bad.

I was always under the impression that this is what the episode was referencing.

I’m trying to make my own smart watch as a hobby experiment at the moment, and one of my most important features is NFC payments. It’s a nightmare, although I understand why. Currently my plan is to buy another smart watch or smart ring and take the NFC chip from it, which is maddening, but more or less my only option due to contactless payment security.

To do contactless payments, your bank must effectively permit the specific device, otherwise go through GPay or Apple Pay, who in turn just do the permitting themselves. Anything outside of the standard ecosystem just gets overlooked.

The best workaround while avoiding these companies is to find a smart watch or ring that has compatibility with a proxy card, such as Curve. But beyond halving the price of the accessory, this is pretty much an arbitrary decision.

I 100% agree on consistency, but I actually suspect LLMs would be pretty decent at translating linguistic concepts. Their grasp of contextual language is always surprisingly good, as seen in how well they rewrite tone to very specific parameters.

I don’t use ChatGPT loads, but I do use it a little, often alongside a method of project that can’t hallucinate. The other week I was talking in one chat about the vocal tone of the novel Blood Meridian by Cormac McCarthy, that has this laconic, worn down dialogue with old testament feeling prose. In another chat, I was prompting ‘sage advice’ for a matcha scone recipe I wanted to make where I was marbling strawberry directly into the dough. I got which chat I was responding in wrong and accidentally had it give me a the scone recipe in Cormac McCarthy’s writing style.

MARBLED SCONES

He measured two cups of flour into a bowl and cut in the baking powder with the side of his hand. Salt followed. It hung in the flour like stone dust. He stirred it with a fork and the dry mix turned over itself and fell still. He cut the butter into cubes and dropped them in and pressed them through with his fingers until the flour took the texture of packed soil. He added a spoon of matcha. The green of river weed. The taste of old things left out in the rain.

He poured in buttermilk and cream. A little at a time. He stirred it slow with a blunt knife and the dough pulled together like it didn’t want to be one thing.

In another bowl he took a handful of flour and mixed it with strawberry powder. A drop of red dye like blood in water. He stirred in cream until it held. He pressed the green dough flat on the counter and laid the red over it and folded. Folded again. The colors turned but did not blend. Like veins of ore in a dark stone.

He shaped the dough into a slab and cut thick rounds with a glass. Each one imperfect. Some leaning. Some split. He set them on a tray lined with paper. The oven was already hot. He did not preheat it. It was always hot. Four twenty five. He watched the scones rise through the glass. They broke along the seams. Green and red and gold. They looked like they’d been dug up.

He split one open while it was still warm. He spread pistachio butter across the inside. It melted into the crumb. Then clotted cream. Then jam. The weight of it brought the top half down slow.

He took it outside and sat in the dirt to eat. There was no sound but the breeze. The sky was wide and empty. The scone was good. The scone was all right.

Now this is actually super easy to critique as a recipe, because it fucking sucks. In adaptation, it’s lost a lot of critical instruction. This is effectively a translation that must adhere to narrow and specific tone to achieve a meaning that cannot be translated without grasping a meaning to language that exists beyond the words.

Obviously this is English to English, but a big difference is that there is far more Japanese out there than Cormac McCarthy.

That being said, nothing cements what you’re saying about consistency more than how badly butchered the underlying instructions to this recipe are.

Although I think it’s worth saying how much dubs have improved in the last decade, I’ve always been reasonably lightly into anime, but always had the odd niche recommendation on the go. Most anime I watch is still casual in tone, so I like to have it on while doing art or something, so I’m a big dub supporter.

A decade ago, you could probably have a rule that unless you’d see someone wearing merch of the anime in public, the dub would be shit, but I think because streaming services are paying so much for dunning themselves, it’s lightened the burden across the scene.

Also if over 50% of users watch dubs, I wonder what percentage of their users solely watch high budget, mainstream anime which has perfectly fine dubs.

I was trying to look up a quote I thought was from parody CEO Hand Scorpio from the Simpsons, but it’s from Ron Swanson from Parks and Rec.

“Metaphors? I hate metaphors! That’s why my favorite book is Moby Dick; no froo froo symbolism, just a good simple tale about a man who hates an animal”.

Either way, it’s a great parody of artistic illiteracy of business bros, even without the A.I summary, they would have said the same shit. Most the time they’re reading non-fiction guru-self-help with a bro friendly veneer anyway.

As an entirely different tangent, I’m someone who is qualified in the arts and pretty bad at the sciences, but I’m always amazed how naturally people in the sciences pick up the art. I’m talking mathematicians and electrical engineers. I have no idea if it’s that they know how to learn from a background where it’s necessary, or if their brains have just developed connections in a transferable place. Maybe it’s even just a coincidence and just random correlation I’ve seen. Either way, I’d worry art was deceptively easy if not for the fact that armchair pseudo-intellectual business bros are absolutely awful at making and understanding it.

And sometimes just super plain ones. I remember getting my favourite Skyrim potion texture mod from there specifically.

Gal Godot.

I’m very impressed with Lemmy here for not doing what Reddit would have and naming a long list of women. That being said, if I didn’t feel a moral obligation to boycott Gal Godot, she is so talentless that she hasn’t made anyone else’s list because it’s such a low hanging fruit.

She’s very typecast, but she can act. If she actually got a role where she could show strong emotion, I think she could rise to it well. She’s good in Challengers and great in Euphoria.

He’s the only actor I can think of I actively boycott other than Gal Godot. Aside from his violent racism and American nationalism which is all well documented, I just absolutely loathe the type of character he likes to play; the macho snarky asshole who feels like he got kicked out of basic training and makes being a veteran his whole personality.

There’s few archetypes I hate more than the “former soldier who could kill a man, harbouring some deep unnerving instinct”, or the “American in a truck who loves the flag and is just a hard working guy”, and somehow he always plays and glamorises both, despite not actually being either.